My Friend Holmes

CushingHolmes

For several years now, I’ve been writing regularly about Sherlock Holmes, more than I’ve ever written about anyone else. That means that he (and Irene Adler, the co-protagonist of my novels) lives in my brain in a way that few characters, if any, ever have.

I’m currently in the editing process of my fourth Sherlockian mystery novel, but what many people don’t know is that I wrote the first draft of it while I was undergoing chemotherapy for colon cancer. For a while each day, I escaped the pain, fatigue, and depression the drugs caused by jumping into Holmes’s world and walking with him. He was my companion in the cancer center and a friend who helped me through some very dark days.

Fiction matters, and stories are important, not just the heavy, sad ones. Being able to escape to a mental world populated by Adler and Holmes made one of the most difficult times in my life less bleak.

I have a special place in my heart for all of the stories and characters I encountered and enjoyed during my cancer treatments, but Sherlock and Irene dwarf the rest of them because I didn’t just read about them, I also wrote. I forced myself to enter their world by creating, and in so doing, I found a deeper purpose and a satisfying temporary respite from my daily struggles.

I know that nothing I write will ever be perfect. That is the curse and blessing of the author, because it means flawlessness is unattainable, but that, at the same time, improvement is always possible. Still, though I know I can’t reach perfection, I write–because I know how it feels when a story becomes more than just fiction and a character becomes a friend. The chance to offer that to someone else who might need a new world to escape into and an imaginary friend today? That’s a priceless gift.

 

.How to purchase my Sherlock Holmes novels:

(Book 1) The Detective and the Woman: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities – and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

(Book 2) The Detective, The Woman and The Winking Tree: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities – and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

(Book 3) The Detective The Woman and The Silent Hive is available from all good bookstores including   Amazon USAAmazon UKWaterstones UK, and for free shipping worldwide from Book Depository. In ebook format it is in Amazon Kindle.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

The Humor in the Detective

I absolutely love this photo, which depicts the immortal William Gillette as Sherlock Holmes in a dramatic mood, while Watson looks, frankly, horrified. I could laugh at it for hours.

Quite honestly, there’s a lot about Sherlock Holmes I could laugh at for hours. One of my biggest discoveries when I re-read the Canon as an adult was a treasure trove of dry humor that had gone over my head as a child.

Recently, my fellow Baker Street Babe, acclaimed author Lyndsay Faye, commented that in her view, one of the surest ways for a Holmes pastiche/fanfiction story to fail is to be over-serious, because that’s simply not the tone Doyle created. Her thoughts made me realize that as a writer and reviewer, I completely agree. I can forgive a lot of things in Holmes stories, and generally, my reading experience is celebratory of the fact that we all have these characters we love that we continue to want to explore. However, I have a lot of trouble with stories that treat Holmes and Watson and their world as humorless; those lose me.

As a writer, all of my Holmes stories are partially tongue-in-cheek, and I’m not sure readers always get the jokes. Author intention vs. reader interpretation is a topic for another time, but rest assured, if you’re ever reading one of my books and something strikes you as funny? It’s absolutely supposed to be.

When it comes down to it, I don’t think I could have sustained this many years of ardent love for these 60 stories if they weren’t funny. People often ask me and other writers why the stories have endured in popularity for so many years. I wouldn’t argue that humor is the only or primary reason, but I think it’s an important one.

So next time your love of Holmes starts to get over-serious, whisper “Norbury” to yourself and get over it 😉

(See “The Yellow Face” for context)

.How to purchase my Sherlock Holmes novels:

(Book 1) The Detective and the Woman: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities – and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

(Book 2) The Detective, The Woman and The Winking Tree: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities – and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

(Book 3) The Detective The Woman and The Silent Hive is available from all good bookstores including   Amazon USAAmazon UKWaterstones UK, and for free shipping worldwide from Book Depository. In ebook format it is in Amazon Kindle.

 

Holmes for the Holidays

I just finished writing “The Adventure of the Missing Irregular,” a Christmas-themed Holmes story that will be published in the MX Book of New Sherlock Holmes Stories Part 5, a holiday story collection coming out later this year.

When one of Holmes’s Baker Street Irregulars vanishes, Wiggins joins forces with his employer and Dr. Watson in a heartwarming tale perfect for reading by a (fake or real) Christmas fire.

My previous story, “The Adventure of the Traveling Orchestra,” is featured in Part 1 of this collection.

Being Watson: Appreciating the Genius of Sir Arthur Conan Doyle

Jude Law Watson

This past Saturday, I finished writing a story I’ve been working on for several weeks, a Sherlock Holmes short story that will become part of an anthology to be published later this year. The challenge of the project is that the stories have to be completely traditional mysteries in Watson’s voice.

For those who may be unfamiliar with my books, Watson’s voice is not something I normally write, In fact, I never write it. My novels, while traditional in setting and characters and running alongside the canon, include the perspectives of Irene Adler and Sherlock Holmes. Watson appears as a character, but his perspective isn’t the focus.

I took on the anthology project as a personal challenge, something new to build my authorial muscles. I did it; I wrote a completely traditional Sherlock Holmes mystery in Dr. Watson’s voice; those who have read it for editing purposes have enjoyed it, and I’m excited to share it with lovers of traditional stories.

I’m still wiping the sweat from my weary brow. The story took me longer to write and was far more difficult than I ever would have expected. Ultimately, I gained a new perspective on the challenges that traditional story writers face and a new appreciation for the incomparable Sir Arthur Conan Doyle.

FreeWatson

Here are some reasons why:

1) The Narrator versus the Main Character Issue–There’s a reason that Sherlock Holmes famously says he would be lost without his Boswell. Like Boswell’s Life of Samuel Johnson, the Holmes stories are about the man in the name, not the narrator (though, of course, both are also about a relationship). Normally, when I’m writing my own books, I know that I will periodically reach a section where I can explore Holmes’s point of view. Writing as Watson, I was limited both in what Watson knows and what Holmes is allowed to show. I found myself, at times, needing to excise Watson inserting his thoughts where Doyle’s Watson never would have. I also found that I had to be careful not to have Holmes be overly obvious about what he knows before it would be logical for him to do so, since his point of view is not a direct part of the narrative.

2) The Secondhand Discovery Issue–Sometimes, both in the original stories and in the ones that come after them, Holmes and Watson make a discovery at the same time. Often, however, Watson is the secondhand discoverer of information Holmes already knows. This makes the pacing and plotting of a traditional story an intricate exercise in keeping things straight. Watson needs to be writing about the actions of a man who is often at least a few steps ahead of him, while maintaining the integrity of his own knowledge level. In other words, a huge part of what makes traditional stories interesting is that Holmes and Watson don’t have the same brain, and they are not usually able to have long conversations about exactly what Holmes knows the moment he knows it. As a result, for a writer, this means maintaining a narrative voice that is in a slightly different place in the story than the man he’s constantly writing about.

3) The Watson is No Idiot Issue–John Watson is not stupid. This is a fact, borne out by his actions in many of Doyle’s stories. He is, however, not the deductive reasoning expert that Sherlock Holmes is. As a result, barring unusual situations, he needs to be firmly in the dark about certain facts that are relatively easy for Holmes to grasp. For a writer, this means having to think like Sherlock Holmes. Stay with me for a second. What I mean is this: if a writer writes a deduction for Holmes that is overly simple, but Watson doesn’t get it automatically, Watson looks stupid, which is a bad result. In order for Watson to take his rightful place as audience stand-in and conductor of light, his deductive abilities need to look average compared to Holmes’s abilities seeming brilliant. This means the writer of a traditional Holmes story has the burden of coming up with something brilliant enough to seem like an average person wouldn’t get it right away. This is a lot harder than it sounds. Ask me how I know…

The above are just a few of the challenges inherent in writing the traditional Holmes and Watson dynamic of the original Sherlock Holmes canon. My own attempts to navigate them made me marvel, in a totally new way, at how easy Doyle made it look. That’s the true mark of genius, isn’t it?


How to purchase my Sherlock Holmes novels:

(Book 1) The Detective and the Woman: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities – and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

(Book 2) The Detective, The Woman and The Winking Tree: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities – and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

(Book 3) The Detective The Woman and The Silent Hive is available from all good bookstores including   Amazon USAAmazon UKWaterstones UK, and for free shipping worldwide from Book Depository. In ebook format it is in Amazon Kindle.

Canon Thursday: The Klinger Decision, Myths, and Comic Books

CushingHolmes

Several months ago, the much-publicized case of Les Klinger versus the Sir Arthur Conan Doyle Estate finally went before a lower court judge. For anyone who doesn’t know, the Estate had, for years, been extorting and attempting to extort money from authors and other producers of Sherlockian media, based on a totally fictitious idea that Holmes was still in copyright, even though many of the stories were already firmly in the public domain and free for use.

(Lest this seem like a small problem, I have personal friends and acquaintances who were harassed, either personally or through their publishers, and there are myriads more, many of whom paid up just to avoid a legal fight.)

The Estate lost in court, but, as usual, did not know when to say uncle and appealed, all the way up to the US Supreme Court, who didn’t even deign to give a reason for refusing to hear such a ridiculous case that had already been firmly decided according to the rule of law. This past week, the 7th Circuit Court of Appeals put the icing on the cake by ordering the Estate to pay a large chunk of Klinger’s legal fees, while calling Klinger a public servant and the Estate frivolous.

What I want to discuss is the philosophical component of the Doyle Estate’s argument, the idea that all the stories should stay under copyright because Sherlock Holmes, as a character, is incomplete without every single one of them. Now, this argument predictably didn’t hold up in a court of law, and I suspect the Estate’s legal team didn’t think it would. I sense major straw-grasping when the house of cards started tumbling down. Everything worked fine when they were scaring people into paying money they didn’t owe. When Klinger, who knew the law well enough to know he could fight, stood up and challenged them, they were like a schoolyard bully left without his mojo.

Nevertheless, for the sake of argument, let’s evaluate the actual defense as if there’s someone, somewhere, who truly believes in it, the idea that Sherlock Holmes is somehow incomplete as a character without every last story Doyle wrote about him. (Even if this were true, it’s hardly a copyright argument, since copyright law is not based on character completeness, but bear with me.)

I have a somewhat unusual origin story when it comes to my affinity for Sherlock Holmes. I read the stories as a child and enjoyed them, but it was the pastiches of Laurie R. King that really hooked me. She was the signpost that pointed me back to the originals, but what truly intrigued me was the idea that there could always be more. Holmes’s world, I learned, would never be static is long as lovers of the character chose to write about him in new and interesting ways. It was that huge, expansive world that drew me in.

Since the beginning of the current Sherlockian wave, my story has become less and less unusual. Lots of fans, these days, are coming at Holmes through doorways marked “Sherlock” or “Elementary” or “Watson & Holmes,” a racebent comic that puts the characters in an urban American setting. Some are even coming through a door marked “fanfiction,” their literal first experience being one gifted to them by another enthusiast choosing to share their passion with the world.

This week, after seeing the film Guardians of the Galaxy, I did a little bit of research on protagonist Peter Quill. What I discovered is that, like most comic book heroes, Quill has more than one origin story, and the filmmakers picked the one they liked best. Superman, Batman, Spider-Man, the main X-Men characters–they’re all this way. At different times and places and cultural moments, a writer chooses to reinvent them in a way that he or she feels is relevant.

The thing is, Peter Quill wasn’t any less complete as a character when his stepfather tried to kill him (original story), and he’s no more of a character now that he was raised by a single mother (current story). Loki is no less Loki when he’s a woman, a kid, or the iteration we now know from the Avengers films.

The point is, modern heroes are our own equivalent to oral tradition, like the stories sung by poets like Homer, that changed and expanded and contracted based on ancient contexts. In an ironic way, the ever-changing nature and impermanence of the Internet facilitates similar changes and expansions. The current craze has swept Sherlock Holmes into this kind of existence.

Fanfiction writers, show producers, and comic illustrators take Sherlock Holmes as the basis for their myths, and they expand him, change him, and sometimes even contract him. I do this in my books, less aggressively than some, but my stories would have nowhere to go if I refused to expand the character or his world. Laurie R. King showed me that this was possible. Her Holmes is (intentionally and self-awarely) just off the original, like a dialect derived from a language. But he’s a complete character in his own right. As is my interpretation. And as is the Holmes in the fan fiction some high school student somewhere is writing in her bedroom as I type this. When you love a character, change and expansion are not disrespect. They’re homage. But they also don’t add or take away from the character as he originally appeared, either.

Some might throw up their hands and wail at the idea that Holmes is in any sense like a comic book hero, but it’s an honor for him to be lifted into the pantheon of characters so passionately loved that fans cannot resist continuing to write new things about them, new stories that reflect new places and times. But no new iteration takes anything away from the old ones.

Perhaps the biggest reason the Estate’s philosophy fails to resonate with me is a personal one. You see, I may not be a guardian of any galaxies or the wielder of the Tesseract, but I’m a character in the story called life, and my time hasn’t ended yet. I’m not the same person I was yesterday, and I’m not the same person I’ll be tomorrow. And yet, I’m a 100% complete person today, just like Sherlock Holmes is in A Study in Scarlet, The Case-Book of Sherlock Holmes, and every story in between.

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How to get my newest book:

(Book 3) The Detective The Woman and The Silent Hive is available from all good bookstores including   Amazon USAAmazon UKWaterstones UK, and for free shipping worldwide from Book Depository. In ebook format it is in Amazon Kindle.

How to get the previous two books in the series:

(Book 1) The Detective and the Woman: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities – and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

(Book 2) The Detective, The Woman and The Winking Tree: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities – and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.