About girlonbridge

23rdSixties...because the 23rd century was so much like the 1960's, Baby. Until 2011, I had seen half an episode of "Star Trek: The Next Generation" and "Star Trek," the movie from 2009. Armed with that incredible arsenal of trekkie knowledge, I decided to jump headfirst into the world of TOS, the original Star Trek series that began in 1966. This blog is my homage to that experience. Will I be an expendable redshirt, or an enduring blue or yellowshirt? Will I disappear randomly like Yoeman Janice or press bravely forward like Mr. Sulu? Only time will tell.

Book Review: The Remedy

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The Remedy: Robert Koch, Arthur Conan Doyle, and the Quest to Cure Tuberculosis

By Thomas Goetz

It’s not often that I have a chance to review Holmes-related nonfiction, and it’s an even rarer pleasure to encounter a book as well-researched and engagingly written as The Remedy. Author Thomas Goetz skillfully weaves together a story that explores the origins of germ theory and uses the medical and scientific context of the Victorian Period to illuminate and explain the life and work of Sir Arthur Conan Doyle.

The book is certainly not for the faint of heart. Its impressive attention to detail leads to a high page count, but readability is never sacrificed. Fans of Holmes may be confused by the fact that Doyle doesn’t appear for quite a while, but it’s worth the wait and the effort to understand the historical circumstances Goetz weaves around him.

The Sherlock Holmes stories are wonderful in and of themselves, but books like The Remedy remind readers that they weren’t written in a vacuum. The actions of people like Dr. Joseph Bell and groundbreaking researcher Robert Koch had a direct hand in the life of Doyle, and Goetz makes an impressive case for how much influence they had on the formation of Sherlock Holmes.

The Remedy is an impressive achievement, a book that manages to be densely informative without being at all dense to consume. Goetz’s writing style is pointed, clear, objective, and surprisingly entertaining. Doyle fans who want to dig deeper into the circumstances that led to the creation of Sherlock Holmes will find it a rare treat, and it will be even more appreciated by those who also have a secondary interest in medical or scientific history.

Purchase it here.

A copy of The Remedy was provided for consideration by the publisher. All viewpoints expressed are the author’s own.

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How to get my books:

(Book 3) The Detective The Woman and The Silent Hive is available from all good bookstores including   Amazon USAAmazon UKWaterstones UK, and for free shipping worldwide from Book Depository. In ebook format it is in Amazon Kindle.

How to get the previous two books in the series:

(Book 1) The Detective and the Woman: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities - and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

(Book 2) The Detective, The Woman and The Winking Tree: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities - and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

The Detective, The Woman and The Silent Hive: My New Book

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As much as I’m having trouble believing it, tomorrow is D-Day for my third novel The Detective, The Woman and The Silent Hive: A Novel of Sherlock Holmes. Like my other two, it stars Sherlock Holmes and Irene Adler.

Here’s what it’s about:

The mysterious death of Irene Adler’s bees leads to a consultation with Sherlock Holmes and the discovery of a sinister connection to a case many years in the past. When this threat imperils the safety of everyone the detective holds dear, he and The Woman are forced to use every ounce of their ingenuity to save their friends.

If you’re a fan of the canon, you’ll enjoy how this story ties into Doyle’s “The Five Orange Pips.” If you’re unfamiliar with that story, though, this one stands alone. It follows on The Detective and The Woman and The Detective, The Woman and The Winking Tree, but you needn’t have read those to understand and enjoy it.

If you’re planning to attend 221b Con in Atlanta from April 4-6, I’ll be there with a few copies of each of my books for sale and would love to meet you.

I’d really like to hear about your experience reading the book. Hashtag #SilentHive or tweet me @Pickwick12 to let me know how you’re getting on. I’d be delighted to hear from you.

How to get Silent Hive:

If you’d like to catch up on all three books, Dr. Watson’s Lounge has a 3 books for 2 deal here.

Individually, The Detective The Woman and The Silent Hive is available from all good bookstores including   Amazon USA, Amazon UK, Waterstones UK, and for free shipping worldwide from Book Depository. In ebook format it is in Amazon Kindle.

How to get the previous two books in the series:

(Book 1) The Detective and the Woman: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities - and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

(Book 2) The Detective, The Woman and The Winking Tree: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities - and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

 

How to Write a Pastiche that Sparkle$!

(See note at the end of the post.)

I’ve read, like, so many Sherlock Holmes pastiches since becoming part of the Baker Street Babes, and I’ve even written some. That’s why I feel like I’m totes ready to tell YOU how to write a pastiche that will sparkle like a vampire in the sunshine and prance like millions of tiny unicorns.

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1) Include TONS of historical people. It’s called playing The Game. Who wants to read a pastiche where Holmes interacts in-depth with one historical person or situation? Subtlety is boring. Namecheck at least ten real-life characters, or you don’t deserve to call yourself a pastiche artist.

2) Make it ALL about the romance. It doesn’t really matter which characters you pick. I mean, people picking up a Sherlock Holmes mystery really wish they were reading a Harlequin Romance Novel. Give it to them!

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3) Use EVERY trope. Sherlock Holmes smokes a pipe, wears a deerstalker, says “elementary,” and takes drugs for a reason! Talk about these things on every page, so people know without a doubt that they’re reading a real, live, Holmes story!

4) Make it PARANORMAL, baby! I’m not talking about tastefully atmospheric forays into Victorian spiritualism. Remember what we said above? Subtlety is for loooosers! Give us so some werewolves, a clairvoyant robot, and maybe a patronus or two! Make it worth our time.

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5) Make sure all the speech is VICTORIAN. People back then didn’t talk like us. They said things like, “tut tut,” and “old boy,” all the time. If you get lazy and start making Holmes and Watson sound like real, actual people, you’ve failed!

If you follow these 5 totes wicked tips, you can’t go wrong as a pastiche writer. Just remember, Sir Arthur Conan Doyle already hates all of us anyway, no reason to stop fueling the afterlife rage.

(Note: In my life, I abide by the adage that a joke once explained is no longer funny; I had also hoped that my ridiculous mode of expressing myself would indicate my broadly comic intentions. Alas, as is often the case on these interwebs, satire cannot be left on its own without engendering unfortunate misunderstandings.

Therefore, let me be clear: This post is a complete joke and not meant to be taken seriously on any level. It is a broad satire poking fun at things pastiche writers do when we’re not at our best. These tips are the opposite of how I would ever write or encourage someone else to write. Furthermore, I put the whole world on notice that if I ever start using “$” for “s,” saying “totes” unironically, or speaking of tiny unicorns in a serious way, you have permission to shoot me on sight.)

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(Book 2) The Detective, The Woman and The Winking Tree: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities - and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

(Book 1) The Detective and the Woman: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities - and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

Russian Sherlock Review: Clowns

This post will contain mild spoilers for the third episode of the Russian Sherlock Holmes series but should keep most of the surprises intact.

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The third episode of the new Russian Holmes series (watch here; turn on English subs if needed) is an action-packed romp through director Andrei Kavun’s vision of Victorian London. Much like its predecessor, it’s very action-heavy, and it seems that the first episode is the only one that moves remotely slowly in that  way.

In many ways, “Clowns” is really the emblematic episode of this series, because it brings together each of the threads the creators chose as their emphases. The previous introduction of Irene Adler was not, we see, a one-off. She’s back, and her presence wreaks havoc with the lives of Holmes and Watson. Allusions to “A Scandal in Bohemia” are woven together skillfully with a politically-focused story reminiscent of “The Bruce-Partington Plans” and even snippets of “Charles Augustus Milverton.” Over all of these hangs the specter of what we are now shown is a series arc that relates back to Watson’s military career and continues to cast him as a tragic figure losing friend after friend.

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I would be remiss in not mentioning that “Clowns” contains the most magnificent plot twist of the series so far, a clever reversal I really didn’t see coming. Several criticisms I had while watching the episode were completely resolved by it, and I applaud whichever of the writers came up with the idea.

My major remaining critique is of the portrayal of female characters. The original introduction of Irene cast her as a powerful, self-directed woman. This episode gives her layers, but in so doing, it also diminishes her strength and throws her into the more traditional damsel in distress role. Ultimately, I am comfortable with the characterization of her complicated relationship with Holmes, but I wish she had been allowed to retain her confidence in the process. The episode’s other major female character is also shown to be weak and somewhat useless throughout.

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“Clowns” is a good episode, though I felt that its writing fell just shy of “Rock, Paper, Scissors.” Nevertheless, its truly clever plot made up for certain bumps along the road, and Petrenko and Panin really dug into their roles in a spectacular way. Panin’s Watson was still excellent, but it was Petrenko who had the difficult task this time around, to portray a Holmes made desperate by events beyond his control. His communication of the layers of frustration and deception the story demanded was exceptional.

In the end, one particular conversation from the episode remains in my mind. It’s just after a very climactic point in the action, and Holmes and Watson muse together on the futility of life in a way that reminded me powerfully of “Waiting for Godot” and many similarly philosophical Russian works. In my opinion, that emphasis on finding the meaning below the surface of the Sherlock Holmes stories is what makes this series sing. It’s not a particularly Western touch, where we like our stories fast and our characters brash, but it’s a truly beautiful one.

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(Book 2) The Detective, The Woman and The Winking Tree: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities - and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

(Book 1) The Detective and the Woman: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities - and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

Revisiting the Guy Ritchie Holmes Films

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This past weekend, I rewatched 2009’s Sherlock Holmes and 2011’s A Game of Shadows after not doing so for a few years. These films, directed by Guy Ritchie and starred in by Robert Downey Jr and Jude Law, have always been polarizing, ever since they were first announced.

When Sherlock Holmes came out in 2009, the Holmesian world looked very different. There was no Sherlock, and there was no Elementary. There were Scion societies and people who enjoyed Holmes very much, but it was not the global, Internet-era phenomenon it soon became. I saw the film in the theater having not read any canonical Holmes stories for many years, my main link to that world being the Laurie R. King Mary Russell series. Beyond her, I hardly knew such a thing as Holmes pastiche even existed.

When Sherlock hit in 2010, everything changed. By the time I saw A Game of Shadows in the theater, I had re-read the Holmes canon and written my first Holmes novel, The Detective and The Woman, and generally become astronomically more Holmes-literate than I had been. The two experiences were intensely different from one another. I saw Sherlock Holmes as a casual consumer. I saw A Game of Shadows as a superfan. Now, years later, I rewatched the two back-to-back to try to unpack my real feelings about the films. I’m going to talk about them as a unit, because that’s how I viewed them.

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The Good:

First off, I like them. I like the humor. I like the atmosphere. I like the action sequences. I enjoy the fact that for once, it’s not all serious business. I went back to them with the memory that they’re not purist adaptations and was pleasantly surprised by how close they really are in a lot of ways. If you like your Holmes straight-up serious, they’re not for you, but I like a shot of humor in mine, as did Doyle, since he wrote a huge amount of tongue-in-cheek humor into the stories that I only recognized as an adult.

Second, they’re not just for the casual viewer. Among some sectors of the Holmesian world, there’s a weird hierarchical thinking, as if “serious” adaptations like the Granada series starring Jeremy Brett are for “real” fans, while things like A Game of Shadows and Elementary are for the masses. You know what? That’s ridiculous, because it’s all subjective. I know passionate fans who love all of those and passionate fans who think no one’s ever gotten Holmes right on screen. I personally am not a fan of Elementary, but I know plenty of Holmes-literate people who can’t get enough of it; that’s true of any adaptation. We all enjoy the Holmes stories for different reasons, and taste in adaptations is no indicator of how “good” of a fan anyone is. (Well, if Asylum Holmes is your favorite, I might worry about your sanity…)

Third, the casting is fantastic. I know that a lot of people balked, and still do, at the idea of Robert Downey Jr as Sherlock Holmes, but there’s a reason the man is in possession of a Golden Globe Award for it. I have read interviews in which he talked about spending countless hour upon hour preparing, and that comes through. Of all the actors I’ve ever seen portray Holmes, his articulation and pacing of lines might be, in my opinion, the most canonical. When I’m watching him talk through deductions, I get the exact feeling I have when I read the Doyle stories. I really can’t ask for more than that. Sure, he’s a quirky Holmes, more Columbo than Poirot, but that’s definitely an interpretation that comes through in the 60 stories Doyle wrote about the character. Sometimes we read about Holmes’s urbane side; other times we see his awkward, endearing vulnerabilities, and that’s what Downey shows us. So what if he’s not tall? There’s a longstanding theater tradition of casting actors who are physically different from characters they play. It works because acting is about being something you’re not. In this case, he carries it off, if you give him a chance. Jude Law as Watson and Jared Harris as Moriarty are less-contended choices, and both give brilliant and very canonical takes on the characters.

Fourth, the action is fun. When the first film came out, a lot of people were bothered that Holmes and Watson were so action-ready. These individuals appeared to have forgotten that the canonical Holmes is a baritsu (bartitsu) and boxing expert, and Watson is a gun-toting, far-from-squeamish veteran of a very nasty war. Several of the stories contain action sequences, and it’s only cultural distillations of Holmes that have made him into a Poirot-like thinking machine who rarely moves from his easychair.

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The Ok:

First, the choice of Holmes’s sexuality is questionable. Ritchie wisely doesn’t depict anything explicit on screen, but it’s clear the detective has a history with Irene Adler. A lot of people have done this, but it’s more of a nod to cultural perception and other adaptations than the canon. Irene, I think, works as a character in her own right in these versions, but I’m not insanely enamored of giving her a specific romantic history with Holmes, though Downey and Rachel McAdams make the scenes themselves work.

Second, Irene’s connection with Moriarty is also not my favorite. Granted, in the context of the movies, making Irene the bridge to Jared Harris’s chilling Professor Moriarty was a continuity-boosting narrative choice, but I’m not usually a fan of the film penchant for taking disparate characters in a big franchise and smooshing them together with each other in slightly lazy ways that bear no resemblance to the original. It works in the context of the films, but it’s a canon difference that is always in the back of my mind when I’m watching.

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The Not-So-Great:

First, the “Ritchie Technique” is overused, especially in A Game of Shadows. If you’ve ever seen one of these films, you know what I’m talking about. There’s slo-mo, there’s freezing people on screen, there’s blowing things up-making huge things fall down-explosions and reverse explosions. I don’t dislike any of it individually, but there’s too much of it. This is more of a stylistic comment; even if these weren’t Holmes films, I would find the length and amount of artsy action sequences a bit tiring.

Second, the plots get overcomplicated. This is specifically a criticism of A Game of Shadows. I find Sherlock Holmes to be the superior film because its plot is simple and clear, the driving through-line of Mark Strong’s Lord Blackwood and his nefarious deeds. Shadows gets muddled in the middle. We meet Moriarty, but then a lot of other things happen before we get back to the simple, clear issue of two equally-brilliant men facing off with each other. One of the genius things about Doyle is the clear simplicity of his mysteries that doesn’t detract at all from their cleverness. Sherlock Holmes replicated this clarity; A Game of Shadows would have benefitted from some revision to get there.

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Overall, I count myself a big fan of the Ritchie-verse. A third film is supposedly in the works (finally), and I look forward to seeing the post-hiatus conception of Downey’s Holmes and Law’s Watson. If you’re someone who dismissed these adaptations at some point on your Holmesian journey, I recommend giving them a second chance.

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Now that I’ve been part of the Holmes-verse for over three years, I’ve come to the conclusion that no adaptation is perfect, but almost all of them say something unique about the Holmes canon that others skip. The Ritchie films are not my favorite Holmes adaptations, but they’re immensely enjoyable, and they elaborate on the humor, humanity, and pure joy of Holmes in a way I’ve never seen another adaptation equal.

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(Book 2) The Detective, The Woman and The Winking Tree: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities - and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

(Book 1) The Detective and the Woman: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities - and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

Russian Sherlock Review: Rock, Paper, Scissors

This post may contain mild spoilers for the second episode of the Russian Holmes series, but should keep most of the surprises intact.

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The second episode of the new Russian Sherlock Holmes series starring Igor Petrenko and Andrey Panin (Watch here. Don’t forget to turn on the English subtitles.) begins in a reliable way for a mystery of any kind–with a corpse. From there, “Rock, Paper, Scissors” is a well-paced, well-written mystery that builds on the relationships established in its predecessor and uncovers layers of character previously unknown.

This character dimensionality is shown in many different ways. Lestrade is still a blustering autocrat, but he’s shown to have a reasonable side. Holmes is socially awkward, but his capacity for genuine affection and grief is highlighted. Mrs. Hudson is a frustrated landlady, but her loyalty is unbreakable. Watson is still the tired, wounded veteran we met at the beginning, but he’s also shown to be extremely brave and confident in his abilities.

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It is Watson whose life takes center stage in this episode, as a mostly canonical depiction of his military past is married to the plot of The Sign of Four. Some significant things have been changed from that story, particularly the Mary Morstan character, but a great deal remains and is made relevant to the viewer by the connection to Watson.

The plot also borrows significantly from both “A Study in Scarlet” and “The Adventure of Charles Augustus Milverton” and manages to pull off the connection fairly seamlessly. Many canonical characters receive brief mentions, including Watson’s brother and Mycroft Holmes.

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I didn’t necessarily expect this episode to contain a visit from Irene Adler, played by the luminous Lyanka Gryu, but I liked it, because it gave a fleshed-out feel to the world the show is creating and gave us a glimpse of Holmes’s past life. At first, I thought the interaction was straying far afield from the canonical interpretation of the relationship, but it ended up being much closer and cleverer than I expected.

Andrey Panin really shines in “Rock, Paper, Scissors.” His acting, much of it nonverbal, is understated, touching, and, at times, even mesmerizing in its simple poignancy. Petrenko continues to walk the line between genius and awkwardness, giving Holmes an emotional side we rarely see in most other adaptations.

Overall, even though I enjoyed Episode 1 immensely, I thought Episode 2 far outdid it. Without a doubt, it left me wanting more.

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The Detective, The Woman and The Winking Tree: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities - and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

The Detective and the Woman: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities - and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

 

29 Sherlockian Faves for my 29th

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Tomorrow is my 29th birthday, and I’ve decided to celebrate with a list of 29 of my favorite things about the world of Sherlock Holmes.

1) The ACD Canon

Nothing compares to the 56 short stories and four novels penned by Sir Arthur Conan Doyle. Now that most of the stories are in the public domain, it’s easy to find them on the Internet for anyone who wants to take a look. My favorite story is “The Adventure of the Copper Beeches,” but there’s something I love in every single one.

Doyle is often credited for creating amazing characters and intriguing mysteries. He’s less often given his due for how funny the stories are and how much truth about friendship and tolerating differences they contain.

Visual media adaptations are a wonderful way to enter the world of Holmes, but there’s no reason to stop there. The canon beckons, and Sir Arthur has so much to offer.

2) The Granada/Jeremy Brett Series

Jeremy Brett’s life was, in many was, a tragic one, but he (and his Watsons) left behind a stunning legacy–hour after hour of beautiful television adaptations of the canon, painstakingly and brilliantly traditional in character.

Unlike many of my friends, I don’t consider Brett my favorite actor to play the role, but he is certainly one of my favorites, and his immense legacy defines the question of what it means to portray Sherlock Holmes.

3) Internet Memes

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4) Young Sherlock Holmes

In 1985, Paramount tried to jumpstart a franchise about a teenaged Sherlock Holmes (and Watson). The idea didn’t take off, but I still find Young Sherlock Holmes an extremely enjoyable watch, and I count star Nicholas Rowe among my favorite actors to portray the detective, enough that I wish he would have another go as an adult.

5) Big Finish Audio 

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The often-overlooked art of audio drama is one where Sherlock Holmes continues to flourish, particularly in the capable hands of Nicholas Briggs and the Big Finish team.

I recently had a chance to help interview Nicholas about the challenges and joys of playing Sherlock Holmes in an audio format. Listen here

6) Dodgy Adaptations 

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We all know of Holmes adaptations that are disputable–some people love ‘em, other’s hate ‘em. Then there are those adaptations so terrible they’re like the Sharknados of Sherlock Holmes adaptations.

If you want to see the mother of them all, check out the one simply titled Sherlock Holmes and put out by The Asylum. You will not be disappointed.

7) BBC Sherlock 

Three series of pure bliss, that’s what show creators Steven Moffat and Mark Gatiss have given us, along with the brilliant Benedict Cumberbatch, Martin Freeman, and a host of gloriously idiosyncratic side characters. I was skeptical when I first heard about the idea of a modern Holmes, but I gave it a try anyway, because of the people involved. Nine episodes later, I’m still stunned by a piece of art that continues to be both gloriously traditional and thrillingly of-the-moment, all at the same time.

8) The Fandom

I’ve never engaged with a fandom as much as I’ve engaged with the world of Sherlock Holmes in the past three years. I’m perpetually stunned by the sheer creativity, brilliance, and good will. I know Holmesians in their 80s and Holmesians in their teens, along with everything in between. Like in every fandom, there’s a conflict now and then, but overall, I’ve found the world of Sherlock Holmes to be an astonishingly pleasant place.

I’m not exactly sure why, but I like to think Sherlock Holmes and John Watson appeal to the best in all of us.

9) The Russian Series

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I’ve never been lucky enough to see the classic Soviet Holmes series from the 1980s with English subtitles, but there’s a new Sherlock in town. He’s quirky, extremely Russian, and ultimately as clever and captivating as any I’ve ever seen.

This is a new discovery for me, and I have yet to see more than the feature-length first episode, since translation is currently occurring, but here’s a link to start the journey along with me. (Make sure to turn on the English subtitles if you don’t understand Russian.)

10) 221b Con

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Conventions have long been a chance for fans to connect and enjoy shared interest in particular shows, books, and films, and 2013 saw the inaugural year of 221b Con, a weekend filled with Sherlock Holmes-themed parties, panels, and insane fun.

I had a wonderful time at 221b Con (enough to be back for 2014), and what delighted me most was the range of ages, genders, and interests. BBC Sherlock devotees rubbed shoulders with Brett-philes, and young and old mingled in a wild cacophony of Sherlockian glee. It was truly a celebration of Sherlock Holmes in every form.

11) The Guy Ritchie Films

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Holmesians are somewhat divided on the Ritchie-Downey Jr outings, but I’m a huge fan. I don’t watch them expecting purist canon adaptations. I’m looking for a stylized, fun romp through Holmesian settings and stories.

Jude Law is justifiably venerated for his Watson, but I don’t think Robert Downey Jr gets enough credit for portraying the complexity and vulnerability of Holmes’s personality, aspects that are sometimes overlooked in other adaptations.

12) The Baker Street Babes

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In Holmesian terms, they complete me. The Baker Street Babes is an all-female Sherlock Holmes-themed podcast. We cover everything from the canon to The Great Mouse Detective, and we have a blast doing it.

If you love us, please consider taking a moment to vote for us in the Podcaster category of the Shorty Awards.

13) Sherlock Holmes’s Introversion

Holmes is not a traditional hero. He’s moody, introverted, and uses his mind to solve most of his cases, rather than his physical strength. He’s physically capable, but his superpower is his mind.

I love the fact that just as Western society finally begins to appreciate the advantages of introversion, Holmes is a role model and emblem for introverts everywhere.

I wrote about this topic in depth here.

14) The Great Mouse Detective

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15) Forensic Advances

It’s not often that a fictional character impacts the real world to the extant that Sherlock Holmes did. When the character was created, the police were barely using forensic techniques, and Doyle’s texts were required reading for police training for quite a while. He’s credited with having a huge part in changing the face of police work to be what it is today.

16) Dr. Joseph Bell 

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Had there never been a Joseph Bell, there might never have been a Sherlock Holmes. As a young man, Doyle saw Bell deducing patient complaints the way he later wrote Holmes making deductions about his clients, and the idea of an immortal character was born.

17) Graphic Novels

Sherlock Holmes has been the subject of many phenomenal graphic novels over the years. A notable current example is the racebent, modernized Watson and Holmes series by New Paradigm Studios.

18) Holmesian Scholarship

Sherlock Holmes isn’t only a hobby. He’s also the subject of all kinds of serious and tongue-in-cheek scholarship. (It’s hard to separate the two, but why try? They’re both great to read.)

One place to find all kinds of fantastic articles about Holmes is the Baker Street Journal. Another is the recently-published collection One Fixed Point in a Changing Age: A New Generation on Sherlock Holmes.

19) Playing the Game

Doyle’s inclusion of near-factual events and near-historical characters has long tempted fans into playing The Game, which simply means reading the stories as if Holmes and Watson are real historical figures and fitting all of their exploits into a historical context.

I did this in my first novel, The Detective and The Woman, in which I wrote about Holmes meeting inventor Thomas Edison.

20) The Tropes

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The pipe, the hat, the cape…Sometimes I roll my eyes at the overuse of the tropes we’ve come to associate with Sherlock Holmes, but it’s always a fond eyeroll.

Like a secret handshake, Holmes tropes are the little emblems of a shared world. They’re the things that remind us that whether we’re watching Sherlock or a Basil Rathbone film, we’re all appreciating the same thing.

21) Basil Rathbone

Speaking of Rathbone, his classic films illustrate the timelessness of the character of Holmes, taking the detective out of the Victorian context to fight Nazis and other miscreants.

22) The Mary Russell Series

I first encountered the Holmes canon as a child, but during my teens and early 20s, my strongest link to Holmes was through Laurie R. King’s Mary Russell series, stories about the post-retirement Holmes and his partnership with a young woman.

If it wasn’t for Laurie, I don’t believe I’d be a pastiche author today. Her writing broke the glass ceiling of what I thought was possible in the world of Sherlock Holmes.

23) Irene Adler

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She’s The Woman, she outsmarted Sherlock Holmes, and I love her.

24) Holmes’s London

In my books, I refer to London as Holmes’s mistress. Doyle’s writing is so atmospheric that it’s as if the setting is a character in its own right. The name Sherlock Holmes is instantly synonymous with hansom cabs, dirty streets, and gas lights–an alternate universe London that never existed but really, really should have.

25) Nicholas Meyer and The Seven-Per-Cent Solution

The Seven-Per-Cent Solution by Nicholas Meyer remains one of the most famous Sherlock Holmes pastiches ever penned, and Meyer followed it up with two respected sequels.

Seven-Per-Cent isn’t perfect, but it’s a brilliant take on Sherlock Holmes that introduces him to Sigmund Freud and manages to turn a lot of things we think we know about Holmes on their heads–without seeming disrespectful in the least.

26) Continuity Errors

Eternal thanks to Sir Arthur “Continuity” Doyle for things like having Mary Watson forget her husband’s name, inexplicably calling Mrs. Hudson Mrs. Turner, and various other major timeline shenanigans.

Reading Holmes would be way less fun if it all made sense.

27) 221B by Vincent Starrett

221B

Here dwell together still two men of note

Who never lived and so can never die:

How very near they seem, yet how remote

That age before the world went all awry.

But still the game’s afoot for those with ears

Attuned to catch the distant view-halloo:

England is England yet, for all our fears–

Only those things the heart believes are true.

A yellow fog swirls past the window-pane

As night descends upon this fabled street:

A lonely hansom splashes through the rain,

The ghostly gas lamps fail at twenty feet.

Here, though the world explode, these two survive,

And it is always eighteen ninety-five.

–Vincent Starrett

28) Epic Mashups

There are some truly fabulous mashups of Sherlock Holmes with other universes–Doctor Who, Frankenstein, The Phantom of the Opera–the list could go on forever.

One of my personal favorites is the book My Particular Friend by Jennifer Petkus, which reimagines Holmes and Watson as women in Jane Austen’s Regency England.

29) It’s Personal

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We all bring something different to the experience of Sherlock Holmes; we all get something slightly different out of it. And yet, we can all find common ground through our love of the greatest detective character the world has ever known.

That’s why it’s brilliant.

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The Detective, The Woman and The Winking Tree: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities - and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

The Detective and the Woman: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities - and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

Russian Sherlock Review: Baker Street, 221B

This post will contain minor spoilers for the first episode of the new Russian Sherlock Holmes series.

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Once upon a time, there was a classic Russian TV series that starred Vasili Livanov as Sherlock Holmes and Vitali Solomon as John Watson. Much like the Granada series is legendary in the UK and US, this series is respected and venerated in other parts of the world. Fast-forward to 2013, twenty years from the original, and Channel One Russia decided to create a new, Victorian-period, Russian-language adaptation of Sherlock Holmes, this time starring Igor Petrenko as Holmes and Andrey Panin as Watson.

According to Sigita Matulaityte’s review for the Baker Street Babes, The series was never intended to be a direct adaptation of the Holmes canon, so as to avoid re-covering the same exact ground as the classic series. Still, the characters and situations are heavily influenced by the Doyle stories. Currently, the first episode is available on youtube with English-language subtitles. Titled “Baker Street, 221B,” it tells the story of Holmes and Watson’s initial acquaintance.

The most important thing I can do in this review is, I think, to provide cultural context. The series is set in England, but it’s very, very Russian in its situations and interactions. It’s also very Holmesian, but it’s written as if Holmes had been reborn in Russia. In fact, I wish they had gone all the way and set it there, rather than keeping the thin veneer of Englishness, because the characters are so very Russian.

What do I mean? To me, the most significant way this comes out is in the interaction and friendship between Holmes and Watson. I’m tempted to go into a long explanation of high and low context cultural communication, but I’ll try to make it quick. Cultures like those of the US and UK are fairly low context, which means that in relationships, we say a great deal and don’t assume that much. Russia is, in contrast, a high-context culture, meaning that friendship and love is much less about what is said and directly expressed and hugely about what is implied, hinted at, and communicated physically. (Read more about these ideas here.)

Specifically, what this means for the series is that Holmes and Watson form an extraordinarily warm attachment as the episode progresses, but they express it in very different ways than their lower-context counterparts in other adaptations. They say little, but their physical interactions grow closer and closer. They don’t have long conversations about needing each other; they practice boxing together. They don’t define their partnership; they risk their lives for each other without so much as a hesitation; sometimes they even insult each other, but in the fondest of ways. Petrenko and Panin’s dance of ever-increasing friendship is as beautiful and heartwarming as any I’ve seen in a Holmes adaptation, but for the viewer from a far away culture, it requires careful analysis and observation to see signs our culture trains us to miss.

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I found the case itself the hardest thing to follow in the episode. The subtitles were quite good, but there are idioms and sayings in any language that don’t have perfect equivalents, and some of the action confused me a little bit. By the end, however, I understood how everything had come together.

Petrenko is a young Holmes, the age he’s supposed to be when the Doyle canon begins. He first describes himself as a scientist, and that’s an accurate introduction to the character. He’s a softspoken voice with a razor-sharp brain, imbued with the incredible deductive abilities of the original character and an emphasis on Holmes’s social awkwardness. If the character of Sherlock Holmes can be seen as a spectrum, he’s on the Columbo end of it. Panin is a middle-aged Watson, made somewhat frail by a wartime head injury, but extremely capable and protective of Holmes. He puts his physical self on the line a few times in the episode, and he makes his worth obvious to Holmes from the very beginning. The two men form a complement to each other. Watson is a gentle lion, kind in his interactions, but fierce in his loyalty. Holmes is a volatile lamb with an extraordinarily powerful brain and a need for someone to help him interact with the world. It’s a totally equal partnership.

I particularly enjoyed several very traditional scenes in which Holmes makes deductions about people and situations. At those moments, Petrenko’s performance came straight from the pages of the canon. I was less taken with the musical soundtrack, which seemed unable to decide what style it wanted to be.

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Bottom line: Do I recommend this series? Yes, I absolutely do, as long as you understand the cultural context you’re entering.

If you’re fond of Russian literature, even more if you’ve ever seen a play by Chekhov, you’ll have an advantage to understanding where this series is coming from. The characters, the way the plot unfolds, and the nonverbal communication (down to things like the placement of objects and use of personal space) read culturally different from what I’m used to seeing in a show about Holmes and Watson.  I don’t know how else to quantify it except to say that it’s just so Russian, and that’s something I absolutely love, because I believe Sherlock Holmes and John Watson are characters who belong to the whole world.

The greatest characters in literature say something universal about the human experience, and the wonderful thing about Doyle’s creation is that it’s not just about one person–it’s one story of two, the great detective and his Boswell. Their friendship is endlessly fascinating and touching, wherever it’s found, because it speaks to the desire we all share to find friends who will care for and support us, no matter how imperfectly human we may be.

Ultimately, Petrenko and Panin play a Holmes and Watson from a distant culture, whose interactions bear few of the markers I’ve come to expect in adaptations from cultures nearer to mine. And yet, I went away from “Baker Street, 221B” with, most of all, a profound feeling of warmth due to the experience of a beautiful relationship that entirely transcends the limits of a single culture.

I look forward to further episodes and to experiencing the wider world of this new, enjoyable Sherlock Holmes.

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The Detective, The Woman and The Winking Tree: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities - and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

The Detective and the Woman: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities - and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

7 Canonical References in His Last Vow

Spoilers ahead; you know the drill. Continue at your own risk.

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This episode was as canon-heavy as “Hearse” and “Sign,” so I’m simply hitting the high points here as I did with those.

1. The Drug Den

The place John finds Sherlock at the beginning of the episode is a direct nod to “The Man with the Twisted Lip,” in which Watson goes in search of a man named Isa Whitney at an opium den and finds not only him, but his friend and colleague, Sherlock Holmes, who is disguised and working on a case. In addition, John’s mistake of thinking the woman who comes to visit him and Mary is looking for her husband instead of her son is a sly reference to the fact that Isa is the woman’s husband in the story.

2. Watson Name Issues

This may be slightly debatable, but I find it too interesting not to include. “The Man with the Twisted Lip,” referenced above, is the story in which Mary Watson inexplicably calls her husband “James” instead of “John.” That the writers chose to reference that particular story in the same episode in which the viewers learn that Watson’s wife has a real name other than “Mary” is a delightful confluence of ideas.

3. Magnussen

Lars Mikkelsen’s Magnussen is an obvious parallel to Charles Augustus Milverton, Doyle’s master blackmailer, described by Holmes as, “the king of all the blackmailers. Heaven help the man, and still more the woman, whose secret and reputation come into the power of Milverton! With a smiling face and a heart of marble, he will squeeze and squeeze until he has drained them dry.” Doyle, in turn, based his creation off real-life blackmailer Charles Augustus Howell, who was found mysteriously murdered with a ten-shilling coin in his mouth.

Several of Magnussen’s specific traits come straight from Doyle, in particular his glasses and his disturbingly affable manner. There’s an overall skeeviness to Milverton that jumps off the pages of the canon, and Sherlock managed to capture it more perfectly than I’d hoped.

To learn more about Milverton, a villain well worth your time, have a look at this post and read “The Adventure of Charles Augustus Milverton” here.

4. Billy Wiggins

At the sound of his name, I heard millions of canon lovers shrieking in glee, through the haze of my own euphoria.

In canon, Billy is the name of Sherlock Holmes’s young page, and he’s featured in the novel The Valley of Fear and two stories, “The Problem of Thor Bridge” and “The Mazarin Stone.” He’s also featured in Doyle’s Sherlock Holmes plays.

Wiggins is the name of another young character, the intelligent child leader of the Baker Street Irregulars, Holmes’s street-prowling network of urchins. He appears in A Study in Scarlet and The Sign of Four.

Cleverly, Moffat chose to unite two young associates of Holmes–one known for only his first name, the other only his last–into one single character of young but not childish age, smart enough to have the potential to carry on Holmes’s legacy, but also retaining Wiggins’s trademark cheeky personality.

5. Unreliable Narration

Throughout the canon, there are numerous times when Holmes and Watson say things about themselves that, through their actions, are shown to be untrue. It would take ages to pinpoint them all, but generally, Watson thinks he’s much less clever and more foolish than his actions display, and Watson and Holmes speak of Holmes as being much colder and devoid of human feeling than his behavior reveals him to be.

I don’t know if it’s intentional or not, but the Sherlock writers’ continual insistence on having Sherlock describe himself as a high-functioning sociopath fits squarely in this category. In this series, particularly, the viewers have seen Sherlock repeatedly act in ways that are the opposite of sociopathic, and the lengths he’s willing to go in “His Last Vow” to protect the people he obviously loves go completely against the idea that he lacks empathy or is unable to form attachments. Even his obvious feelings for his brother go against the idea.

“His Last Vow” also included Mary in the assessment, having her agree that she, too, is a sociopath, which is clearly untrue, based on her genuine love for John and Sherlock, expressed in extremely unusual ways though it may be. This post is not long enough to do intricate psychological assessment, nor am I qualified to do so, but many of the actions of both Mary and Sherlock go against any definition of sociopathy, not just in the area of attachment, but in other areas as well.

Canon lovers tend to value the unreliability of Doyle’s narrative voice, recognizing the subtlety it took to craft characters who, like real human beings, often fail to understand or accurately characterize themselves. Sherlock, intentionally or not, has chosen a similar path.

6. Sherlock’s Personal Justice

Many people have done extensive analyses of Sherlock Holmes’s attitude toward justice in the canon. The Norwood Builder on Tumblr produced an excellent and easy-to-understand one here. The point is that Holmes often (according to TNB about 25% of the time) takes things into his own hands when the law cannot address them adequately.

“The Adventure of Charles Augustus Milverton” is notable because it contains one of the most striking examples of this. For those who are unfamiliar with it, in the original, Holmes looks on as Milverton is killed. He does not pull the trigger himself, but he does nothing to stop or turn in the woman who does, because he considers her act to be justified.

In “His Last Vow,” Moffat chose to have Holmes himself carry out the execution, but the spirit is very much the same. Magnussen is an unspeakably vile man whose power places him outside the reach of normal retribution. Holmes’s strong internal view of justice cannot let him go unpunished, particularly as Magnussen endangers the lives of his friends and loved ones. As he does many times in Doyle’s stories, he chooses to carry out justice himself.

7. Sherlock as a Spy

The idea of Sherlock Holmes going undercover as a government operative comes from “His Last Bow,” a story from the latter part of the Doyle canon, in which Holmes goes undercover to aid the English war effort on the eve of World War I.

BONUS: Janine

In the canon, Sherlock Holmes gets engaged one time, to Charles Augustus Milverton’s housemaid. When he tells Watson, his friend is first delighted and then horrified to learn that the relationship is completely for the benefit of the case. As in “His Last Vow,” however, Agatha the housemaid doesn’t end up caring any more than Janine does.

In an episode heavy with action and emotion, it was great to get this nod to one of the funniest things (in my opinion) that Doyle ever wrote. Seeing poor John try to understand the idea of Sherlock in a romantic relationship is a mental picture that will live with me for years to come.

And One Non-Canonical Reference: William Sherlock Scott Holmes

The writers of Sherlock have made it very clear that they are fans not only of the Doyle stories, but of other adaptations of Sherlock Holmes, such as The Private Life of Sherlock Holmes. When they gave Holmes’s full name as William Sherlock Scott Holmes, they were not channeling Doyle, but rather a reference to the Wold Newton family, a massive fan creation that connects many fictional characters, including Holmes. Learn about it here.

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The Detective, The Woman and The Winking Tree: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities - and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

The Detective and the Woman: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities - and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

Sherlock Review: His Last Vow

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As with my reviews for “Hearse” and “Sign,” this one will contain a spoiler-free section followed by a marked spoiler section.

Part I: Spoiler Free

Well, twelve days later, we’re one season further in the progression of Sherlock, finished with a third series that gave us a finale that was at the same time one of the most and least traditional episodes the series has produced. Penned by writer and showrunner Steven Moffat, “His Last Vow” was, in many ways, a close re-telling of “The Adventure of Charles Augustus Milverton” — to a point.

Canon devotees will find a huge amount to love about the episode, which gave nods to Doyle both great and small, through plot events and characters. Those who have joined the fandom for the show alone will also find ample examples of what makes Sherlock great as a series.

It’s difficult to talk about this episode without spoilers, but suffice to say that Lars Mikkelsen imbues Charles Augustus Magnussen with every hateful fiber of Doyle’s master blackmailer, and in some ways, in my opinion, the connections Moffat wove between the story and characters we already love improved a great story by adding depth and suspense.

In terms of direction, “His Last Vow” wasn’t my favorite, but the superb acting and writing were enough to overcome a few confusing moments. Amanda Abbington proved once again that she can go toe-to-toe with two of the best actors in the business, and touching performances by Mark Gatiss, Louise Brealey, and the delightful Timothy Carlton and Wanda Ventham (Benedict Cumberbatch’s real-life parents) rounded out the emotionally harrowing story.

“His Last Vow” completes this season’s superb trilogy in a fitting way, bringing to a conclusion the questions it raised, and bringing us, the audience, closer to the characters we’ve come to love, all while letting us tag along with a nail-biting mystery. May Series 4 not be long behind.

Part II: Spoilers

It was frenetic; it was suspenseful; it was heartbreaking. “His Last Vow” finally gave us the truth about Mary Morstan and showed how far Sherlock Holmes is willing to go to protect his friends.

The opening nod to “The Man with the Twisted Lip” and the introduction of (Billy) Wiggins were wonderful treats for canon lovers, and the first half hour trajectory of the episode appeared to be sticking almost completely to the Doyle story–until Magnussen’s would-be shooter pulled off her face mask.

I wasn’t surprised to learn that Mary Morstan had a past, and I thought it was fitting that we never found out exactly what it was. Through her story, we learned even more completely what a truly good-hearted person John Watson is. We also learned that Sherlock Holmes has a personal vision of justice–one in which he appraises people’s characters in his own way, forgiving the woman who put a bullet through him and putting his own bullet through someone else.

I imagine there will be debate about Sherlock’s final solution to the Magnussen problem. First of all, it’s canonical. Though he doesn’t fire the bullet himself, Holmes stands by and willingly lets Milverton be killed in front of him when he could easily prevent it. Secondly, the question of the killing itself. Both in the canon and in Sherlock, Milverton is the most despicable of criminals, even more so than Moriarty. He may not have personally pulled the trigger, but he is unequivocally responsible for the deaths of hundreds, probably thousands, of people whose lives he’s ruined. He’s as close to pure evil as Doyle comes in the canon. He’s also beyond normal justice. He’s so powerful and so connected that what Holmes allows (in the story) and carries out (in “His Last Vow”) is an act that is in service to queen and country, family, and friends. He saves Mary, but he also saves the world from extraordinary evil. Does a moral question remain? Perhaps, but Doyle found Milverton worthy of death, and Sherlock chose the same course for Magnussen for the same reasons.

As I stated above, the directing of “Vow” bothered me a little bit. I missed (previous director) Paul McGuigan’s extraordinarily deft touch and found myself lost for a few seconds more than once, trying to understand the passage of time and order of events. This didn’t keep me from enjoying the episode, but I couldn’t help but think another director’s pacing and style might have done it slightly better justice.

Ultimately, thinking back to Series 1, Episode 1, “A Study in Pink,” it’s as if we’ve made an extraordinarily long and rewarding circle. “Vow” ended with Sherlock Holmes doing for John Watson what Watson did for him at the end of the beginning–eliminating his greatest threat. It left us with a Holmes who is needed in London once again to confront a familiar threat, with his best friend by his side and a brother whose love for him is made no less potent by the complications of its expression. Once again, I keep thinking of Inspector Lestrade and his elegantly simple assessment of Sherlock Holmes as a great man who might some day be good. Series 3 of Sherlock has completed the transformation, and I look forward to what’s to come.

(With special thanks to my friend @tastytrix on Twitter, who started me thinking about the circularity of Sherlock’s and John’s actions. Follow her; she’s fabulous.)

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The Detective, The Woman and The Winking Tree: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities - and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.

The Detective and the Woman: A Novel of Sherlock Holmes is available from all good bookstores and e-bookstores worldwide including in the USA Amazon,Barnes and Noble and Classic Specialities - and in all electronic formats including Amazon Kindle , iTunes(iPad/iPhone) and Kobo.